Crf Id Dating Net Meeting For Mac
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MAC Notation Note: The tunes below are recorded in what is called “.” They can easily be converted to standard musical notation via highlighting with your cursor starting at “X:1” through to the end of the abc’s, then “cutting-and-pasting” the highlighted notation into one of the many abc conversion programs available, or at concertina.net’s incredibly handy “ABC Convert-A-Matic” at.Please note that the abc’s in the Fiddler’s Companion work fine in most abc conversion programs. For example, I use abc2win and abcNavigator 2 with no problems whatsoever with direct cut-and-pasting.
However, due to an anomaly of the html, pasting the abc’s into the concertina.net converter results in double-spacing. For concertina.net’s conversion program to work you must remove the spaces between all the lines of abc notation after pasting, so that they are single-spaced, with no intervening blank lines. This being done, the F/C abc’s will convert to standard notation nicely.
Or, get a copy of abcNavigator 2 – its well worth it. See also Mc. AKA and see '.' AKA and see '.'
AKA and see '.' AKA and see '.' Canadian, Reel. Canada, Cape Breton.
Dunlay and Greenberg (1996) suggest this reel may be related to “” in MacDonald’s Skye Collection. Source for notated version: Mary MacDonald ( Cape Breton) Dunlay & Greenberg. Dunlay & Greenberg ( Traditional Celtic Violin Music of Cape Breton), 1996; pg. Rounder 7009, Doug MacPhee - “ Cape Breton Piano” (1977). David Greenberg & Doug MacPhee – “Tunes Until Dawn.”.
Canadian, Reel. Canada, Cape Breton. Dunlay & Greenberg (1996) report that master Cape Breton fiddler Buddy MacMaster often plays this tune paired with “.” Source for notated version: Donald Angus Beaton (1912-1982, Mabou, Cape Breton) Dunlay & Greenberg. Dunlay & Greenberg ( Traditional Celtic Violin Music of Cape Breton), 1996; pg. BSFC:PAD 105, Jerry Holland & Alasdair Fraser - “Scottish Fiddle Rally, Concert Highlights 1985-1995' (1996. Appears mistakenly as “Hamish the Carpenter”).
DAB4-1985, Donald Angus Beaton - “A Musical Legacy” (1985. Appears as “Traditional A Minor Reel”). DAB-3, 26-1, Kinnon Beaton “ Cape Breton Fiddle 1' (1982.
Appears as 2nd “Traditional Reel” side 1). JAD-1, Jackie Dunn - “Dunn to a T” (1995. Appears as “Traditional Reel” in the “Thorn Bush” medley). Smithsonian Folkways Records, SFW CD 40507, The Beaton Family of Mabou – “ Cape Breton Fiddle and Piano Music” (2004). AKA and see “.'
Canadian, Rant or Reel. Canada; Cape Breton, Prince Edward Island. A Dorian (Dunlay/MacMaster, Dunlay/Gillis, Perlman): A Mixolydian (Dunlay/MacDonald). AB (Dunlay/MacDonald): AAB (Dunlay/MacMaster, Dunlay/Gillis, Perlman). Paul Cranford suggests that “MacKinnon’s Rant” is related to the strathspey “,” while John Shaw (in the booklet to Topic 12TS354) attributed it to the 18th century Scottish composer.
In the William Christie Collection (1820) the melody is printed under the title “Thro’ the World Wou’d I Gang Wi’ the Lad that Loves Me.” Sources for notated versions: Buddy MacMaster (Cape Breton) Dunlay and Reich; Alex Gillis and Mary MacDonald (Cape Breton) Dunlay & Greenberg; George MacPhee (b. 1941, Monticello, North-East Kings County, Prince Edward Island) Perlman. Dunlay & Greenberg ( Traditional Celtic Violin Music from Cape Breton), 1996; pg. Dunlay and Reich ( Traditional Celtic Fiddle Music from Cape Breton), 1986; pg. Perlman ( The Fiddle Music of Prince Edward Island), 1996; pg.
Culburnie Records CUL 102, Alasdair Fraser & Jody Stecher – “The Driven Bow” (1988. From the playing of Buddy MacMaster). Decca 14024 (78 RPM), Alex Gillis‑ 'The Inverness Serenaders' (c. DMP 6‑27, Doug MacPhee‑ 'Cape Breton Piano II' (1979.
Appears as 'Traditional Reel”). Sea-Cape Music ACR4-12940, Buddy MacMaster - “Judique on the Floor” (1989.
Appears as “Traditional Reel”). Topic 12TS354, Mary MacDonald‑ 'Cape Breton Scottish Fiddle' (1978. Appears as 'Untitled' after “Crubach”).
WMT002, Wendy MacIsaac – “That’s What You Get” (appears as “The Craig of Barns Reel”). WRCI-4772, Unity Gain U-1002, Dave MacIsaac - “Celtic Guitar” (1986. Appears after “The Mystery). Scottish, Reel.
John Glen (1891) finds the earliest printing of the tune in 1780 collection (pg. Scottish, Pibroch (3/4 time, 'very slow'). A Mixolydian (for fiddlers; it is played by pipers in the key of D). Scordatura (AEAC#). This pibroch (originally a bagpipe tune) was supposed to have been written in the year 1526; Johnson states it is still part of the pipe repertory today.
It was one of the tunes Niel Gow played for Robert Burns when the latter visited him at his home in Dunkeld in October 1787. Nigel Gatherer found the following passage in an old book called The Fiddle in Scotland (n.d.) by Alexander G. Murdoch, from an account by Peter Stewart, who accompanied Niel Gow during the Burns visit:. Arriving at Dunkeld, Burns.put up at the principal inn.He was fortunate in making the acquaintance of Dr Stewart, an enthusiastic amateur violin player.
At the dinner table he quoted to his guests the well-known local ditty-. Dunkeld it is a little toon,. An' lies intil a howe;. An' if ye want a fiddler loon,. Spier ye for Niel Gow. Burns expressed much delight at the proposal.a visit was at once agreed to. The greeting was a cordial one on both sides, and the meeting of Burns and Gow - both geniuses of the first order in their respective lines - was mutually worthy of each other.
The magician of the bow gave them a selection of north-country airs mostly of his own spirited composition. The first tune was 'Loch Erroch Side' which greatly delighted the poet, who long afterwards wrote for the same melody his touching lyric 'Oh, stay, sweet warbling woodlark, stay!' At Burns's request, Niel next gave them his pathetic 'Lament for Abercairney' and afterwards one of the best-known compositions in the Highlands, 'McIntosh's Lament'. 'Tullochgorum' was also duly honoured, after which the whole party adjourned to the little old-fashioned inn at Inver, where there was a famous deoch, or parting friendly drink.
Source for notated version: Macdonald's 1784 Highland Vocal Airs, pg. Johnson ( Scottish Fiddle Music in the 18 th Century), 1984; No. Greentrax CDTRAX 9009, Donald MacDonell (1888-1967) - “Scottish Tradition 9: The Fiddler and his Art” (1993)., THE. Scottish, Pipe Reel. A Mixolydian. Neil ( The Scots Fiddle), 1991; No. Old‑Time, Breakdown.
Named for fiddler Mack Blalock. Rounder 0175, James Bryan ‑ 'Lookout Blues' (1983). Old-Time, Breakdown. B Flat Major.
How to top 3 cleaning apps for macbook pro. A version of “.”. In the repertory of Buffalo Valley, Pa., region dance fiddler Ralph Sauers. Irish, Polka. Standard tuning (fiddle). Mallinson ( 100 Polkas), 1997; No.
Scottish, Slow Strathspey. B Flat Major. Standard tuning (fiddle). Hunter ( Fiddle Music of Scotland), 1988; No.
172 (arranged by J.M. Martin ( Traditional Scottish Fiddling), 2002; pg. Olympic 6151, Arthur Robertson ‑ 'Scottish Traditional Fiddle Music' (1978). Scottish, Strathspey. Standard tuning (fiddle). John Glen (1891) finds the earliest appearance of the tune in print in 1780 collection (pg.
Glen notes similarities with Henry Playford’s “Cronstoune”, printed in 1700. Glen ( The Glen Collection of Scottish Dance Music), vol.
X:1 T:MacLachlan’s Reel M:C L:1/8 R:Strathspey S: Glen Collection, vol. 1 (1891) Z:AK/ Fiddler’s Companion K:C EG Gdec d2 D2 (EGG)g egde cAGE C/C/C C2: (G/F/E/D/) CE GAcG AcEc d2 de gecg aegd ecge c/c/c cg aegd ecge fage d2 D2 (EGG)g egde cAGE C/C/C C2. Scottish, Strathspey.
D Mixolydian. Standard tuning (fiddle). John Glen (1891) finds the earliest appearance of the tune in print in 1761 collection (pg. ( Collection of Strathspey Reels), c. X:1 T:MacLachlan’s Rant M:C L:1/8 R:Strathspey S:McGlashan – Strathspey Reels (c. 1780) Z:AK/ Fiddler’s Companion K:Dmix A FEDg a/g/f/e/ fd e/f/g f/g/a eEEA FEDg a/g/f/e/ fd f/g/a e/e/f dDD: :A FEDA D/D/D FD ECCE G/F/E/D/ CE FEDA D/D/D FD ECCE G/F/E/D/ CE FEDA D/D/D FD f/g/a e/e/f dDD: :e fdfd fdfd ecce g/f/e/d/ ce fdfd fdfd f/g/a e/e/f dDD:.
AKA ‑ 'MacLauchlane's Scotch Measure.' Scottish, Scottish Measure. Standard tuning (fiddle).
The melody appears in the McGlashan Collection of Scots Measures (late 18th century). Emmerson (1971) believes it likely that MacLachlan was a dancer or a musician, otherwise the honorific 'Mr.' Would have been inserted in the title. ( The Athole Collection), 1884; pg. X:1 T:MacLauchlane’s Scotch Measure M:C L:1/8 R:Country Dances B:Stewart-Robertson – The Athole Collection (1884) Z:AK/ Fiddler’s Companion K:D FE D2 DF EDEF A2 (E2E2)FE D2 DF EDEF AFED d2 de fedf edBe dBAF E2 FE DEFG ABdA F2D2D2: :fd d2a2 fgaf b2 (e2e2)fe d2a2 fgab agfe d2de fedf edBe dBAF E2 FE DEFG ABdA F2D2D2:.
Scottish, English; Slow Air, Rant, Reel or Strathspey. England, Northumberland. F Major (Emmerson, Gow, Vickers): C Major (Johnson): G Major (Martin, Skinner). AB (Martin, Skinner): AABB (Emmerson/Gow): AABBCC (Vickers): ABCB (Johnson). Essentially the same tune as that entitled 'MacPherson's Lament;' see notes for that tune. The melody appears in the Bodleian Manuscript (in the Bodleian Library, Oxford), inscribed 'A Collection of the Newest Country Dances Performed in Scotland written by Edinburgh by D.A.
It also appears in 1780 collection (pg. 12), and Gow's Repository, Part First, 1799.
'Although I have seen a version identical to Vicker's uncorrected version (in the 'Dancing Master'.), its third strain has such awkward intervals that I doubt if anyone today would consider it worth playing, even if it were thought to be correct, which seems unlikely. Hence my reworking of this part, giving a version still fairly different from others current today; c.f. Hunter, 1979 ( Fiddle Music of Scotland), No.
10, 'Macpherson's Testament' ( Seattle). Johnson (1984) states that his version, reprinted from the Sinkler Manuscript (1710), is the earliest known fiddle tune in strathspey rhythm.
Source for notated version: Sinkler Manuscript, pg. Emmerson ( Rantin’ Pipe and Tremblin’ String), 1971; No. Hunter ( Fiddle Music of Scotland), 1988; No. Johnson ( Scottish Fiddle Music in the 18th Century), 1984; No. Martin ( Ceol na Fidhle), vol.
Crf Id Dating Netmeeting For Mac
Martin ( Traditional Scottish Fiddling), 2002; pg. Seattle ( William Vickers), 1987, Part 2; No. Skinner ( Harp and Claymore), 1904; pg.
X:1 T:MacPherson’s Rant M:C L:1/8 S:Skinner – Harp and Claymore (1904) Z:AK/ Fiddler’s Companion K:G D GAGB A/G/A/B/ AG/F/ GA (B/A/).G/.F/ (E2 E) D GA GB A/G/A/B/ A(G/F/) GE (A/F/G/E/) (D2D) B.d.G.d.e.B.A.A.B dG de E2 E2B dG de BAA (G/F/) GE A/F/G/E/ (D2D) d gagb a/g/a/b/ a(g/f/) ga (b/a/g/f/) (e2e) d gagb a/g/a/b/ a(g/f/) ge (a/f/g/e/) (d2d). AKA and see '.' One of the tunes included by J. Scott Skinner in his 1921 concert set romantically entitled 'Warblings From the Hills.' It is, perhaps, an amalgamation of the alternate titles ' and '.' , THE ('Na Cailinide Ua Mag-Cromp' or 'Cailini Mag-Crompa').
AKA and see ',' “,” ',' “,” ',' “,” “.” Irish; Reel, Highland or Fling. Standard tuning. The ‘B’ part requires playing in third position on the fiddle.
A member of the “Farrel O’Gara” family of tunes (see note under that title). Philippe Varlet identifies the tune as a highland from the Scottish tune “Farrell O’Gara’s Favourite.” The great New York/County Sligo fiddler Michael Coleman recorded the tune under the title “.” “Stick it in the Ashes” and “More Power to Your Elbow” are related tunes. O'Neill ( O’Neill’s Irish Music), 1915/1987; No.
O'Neill ( Music of Ireland: 1850 Melodies), 1903/1979; No. O'Neill ( Dance Music of Ireland: 1001 Gems), 1907/1986; No.
CEF 057, “Jackie Daly & Seamus Creagh.” X:1 T:Macroom Lasses M:C L:1/8 R:Reel S:O’Neill – Dance Music of Ireland: 1001 Gems (1907), No. 496 Z:AK/ Fiddler’s Companion K:A AF EAAc BAaf ecBd cAFA EAAc BAaf ecBc A2: (3efg agaf eace dBcA BAfg agaf eac’a babc’ a2 ab c’afa eace dBcA BAFA EFAB cAaf ecBc A2. AKA and see “,” “,” “,” “,” “,” “.” Irish, Jig. A Mixolydian. Standard tuning. A version of a Scottish tune entitled “March of Donald Lord of the Isles to the Battle of Harlaw.” Black ( Music’s the Very Best Thing), 1996; No. Green Linnnet SIF 3037, Silly Wizard - 'Golden, Golden' (1985).
Shanachie 79005, De Dannann - “The Mist Covered Mountain” (appears as 1st tune on album). X:1 T:Mac's Fancy M:6/8 L:1/8 R:Jig Z:Transcribed by Caroline Foty K:AMix : eAA fed eAA Bcd eAA gfe dBG Bcd eAA fed eAA Bcd g3 gfe dBG Bcd: :A2a aga aga aga A2a aga gfe dBG A2a aga aga agf g3 gfe dBG Bcd: X:2 T: Mac's Fancy S: De Danaan Q: 325 R: jig Z:Transcribed by Bill Black M: 6/8 L: 1/8 K: Dmix ADD BAG ADD EFG ADD c2 A GEC CEG ADD BAG ADD EFG AdB cBA GEC CEG: Add ^cdd Add dAB c2 c cBA GEC CEG Add ^cdd Add dAB cde dcA GEC CEG:.